Poster for Dinosaurs on a Spaceship |
This was done as part of my non-spoiler preview reviews for Life, Doctor Who and Combom, and as such it steers clear of any spoiler-y content in the episode.
Dinosaurs on a Spaceship. About as literal a title for an
episode as you can get.
Moffat has already said that the new series episodes will be
far more stand-alone from each other and be far more like block-busters and he
wasn’t kidding.
Chris Chibnall |
I have said this several times already. Whatever Chris
Chibnall (the writer of this episode) was smoking while writing it, I want
some. This episode is one of the stranger ones of the series, and that works
really well.
The pre-titles sequence to this episode is extremely similar
to the The Pandorica Opens cold open.
We begin off in Egypt 1334 B.C., directly after The Doctor saves Queen
Nefertiti’s people where he proceeds to “pick her up” after receiving a message.
We see both Earth 2367 A.D and the African Plains in 1902 A.D.
The Gang |
The concept of “One story companions” that we saw back in
the 2009 specials are further explored here. As you have seen, Amy and Rory are
dropped off on Earth after the events of Asylum
of the Daleks again so we see The Doctor on his own again. But, this time,
we see The Doctor pick exactly who
he wants as a companion (for one of the 3 newbies anyway) on how much they’re
required. He saw he was against dinosaurs? Lets pick up a hunter to help. I
felt that this worked rather well throughout the episode, however for some, it
may draw attention away from the 5 episodes that are very much centred around
the Ponds. Personally, I felt that this is a fairly good thing and I’ve always
enjoyed it when others join, even if it’s just for one episode.
In a similar way to this, we also see the concept of how
easily The Doctor could kidnap someone. The Ponds are brought into the story
via a rather unique method. Materialisation. Think of Rose and the Dalek at the
start of Parting of the Ways and apply that to Amy, Rory and Brian. Wait…Brian?
Brian is Rory’s dad. He’s just round to fix the bulb. He
only goes to the post office and to play golf. The Doctor was really his “so
clever and so utterly stupid” at this stage, that I had to laugh a lot, so I
won’t reveal that to you. But I do feel a little disappointed in The Doctor’s
actions towards Brian even after this throughout the episode.
But
the Ponds. Amy begins to grow more as a companion as she
begins to use skills she has picked up from The Doctor, despite the 10
month
gap from her adventures during Asylum of the Daleks, and started to pick
up one or two traits from his previous regeneration. I’m a little
disappointed at
the lack of Rory though, especially as it introduces his dad. But when
you only
have 45 minutes and you’re introducing 3 new characters (and those are
just the
ones on the good side), the regular ones sometimes needs to take a
backseat and
so, Rory is reduced to having an argument with the robots over manners.
For now.
All the same though, it does give a very slight rushed feel to certain
aspects
of it.
The other two characters that are introduced are Queen
Nefertiti and John Riddell. Described as The Doctor himself as “just people,
not Ponds”. These are not designed as companion replacements, however they work
very well. They all feel important, but not too important that they over-take
the main companions.
We see Queen
Nefertiti (Riann Stelle) as one of
The Doctor’s “famous people that he’s met”, who Amy practically fangasms over. John
Riddell (Rupert Graves) is the
opposite type of character in this respect. One of those who thinks he left a
legacy. Despite this, the two work very very well together, despite there being
a bit of sexual tension at the beginning. Both are very open to violence if
need be and are strong minded.
On the other side, we have Solomon, played by David Bradley. He’s another character
who has met The Doctor before. He’s a very unlikeable character who will go far
enough to use violence just to stop The Doctor asking questions and killing
just to make a point. His two robots caused a fair few laughs, however, with a
concepts of manners and being grumpy.
But with the
Spaceship hurtling towards Earth and the Human Race preparing missiles to send
at it, what can The Doctor do with 6 hours?
For
the sake of saving the best things till last: there are, however, two
failings that I feel about the episode. One of these is the title
sequence. You’ve all seen Asylum of the Daleks’ title sequence. Well,
Dinosaurs on a Spaceship is pretty much the exact same, with a very
slightly greener feel to it and different textured logo and episode
information. I find that a disappointment after the massive build up
given to us about it.
Excellent CGI |
And the other failing would be
the scene right at the end. Without going into it in detail, I felt
that the photoshop jobs on them were exceedingly poor. Previews only
show us these in fairly low resolution (when compared with things like
1080p) so either I could be seeing things and be wrong about it. Or, as I
fear, if I could see it on low quality, then it will be fairly obvious
when showing it. For having such great CGI throughout the episode, it’s a
little disappointing to see a job that looks like a fan who’s crap at
it did it.
Exposed on a beach? Not as thrilled |
The plot of this episode is great. We have multiple problems
with a solution for each of them. Rest assured that the episode is not like Let’s Kill Hitler. The dinosaurs are a
fairly a key part of the episode, from causing The Doctor more than enough
interest to causing them problems and solutions. While we have a great overall
problem that’s revealed just a few seconds from the start, we receive the main
problem to that fairly close to the solution. This is probably the best way
because, IMHO, the solution was very obvious if I thought about it so the show
would have needed to get there before us.
But having said that, I believe that the solution is epic
enough to make up for it regardless. I’m also very glad that it came from
Brian. Sure, that’s predictable. But totally worth it.
There’s also a few scary moments in it, such as having a
baby T-Rex, with lots of large sharp teeth, between your legs. But it’s clear
that this episode is not meant to be primarily scary. A good episode for young
children who don’t like the really scary episodes.
Balls |
Also, Chibnall includes a few innuendos (look at the teasers
for some examples) or other sex related things. I counted at least 5 of these
throughout the episode. Most of these involve either Riddell (when he’s talking
about those “two women”) or Nefertiti. Or, like most, with both of them. Be it “balls”,
“big weapon” or “spanking”. They’ll be something.
I’m rather worried by The Doctor’s actions at the end of the
episode, as we can see what happens when he travels alone, despite having FIVE
companions with him this time. This could be a constant theme throughout this
series. We have all seen the trailer from episode 3 where his actions are
called into question too.
But Matt Smith still played him perfectly, if it’s sticking
his tongue out, facial expressions or a croaky throat. Arthur Darvill and Karen
Gillan also worked brilliantly, despite not being together as much as you might
have hoped. But they’re like usual. What about the new actors in this episode?
Well, I’m sure you all hate people simply saying “They’re
great” just because it’s Doctor Who as much as I do, but again, I didn’t notice
anything wrong. And if you don’t notice things wrong, then it’s pretty great
really.
Murray Gold’s music is extremely similar. I don’t pay
attention to music as much as most people do, but I didn’t notice anything new.
The music is fairly quiet except for the few bits where I am the Doctor and its
variants plays, and one or two other miscellaneous parts. Though the section
when the dinosaurs are revealed is new. In other words, it’s just as good as it
normally is.
But the best sides of the episode would be two things. One;
Chibnall’s writing. He follows on from his previous writings rather well and keeps
the insane, funny and extravagant plot lines while keeping the overall serious
of a ship that’s either going to crash into Earth or going to be blown up. And
the revelations about it increase that all the more.
Riding the Triceratops |
The other is the wondrous CGI
in the episode. Be it, if the
Doctor is stroking a Triceratops, riding on it, or if it is returning a
certain physical object. The interaction between real things and the
dinosaurs is
extremely realistic, despite the camera movements and other factors.
Also, the
spaceship looks very unique and amazing.
So when you combine these two things to have the ending
scene with Brian, it just feels superb. I bet every Brit wishes they could do
it. (You’ll have to watch it to find out!)
Overall, I would rate
this 7.5 out of 10. Most things work fairly well but a couple of things let it down.
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