Doctor Who: Nightmare in Silver Non-Spoiler Review

Aside from Journey to the Centre of the TARDIS and the finale, this is very possibly the most anticipated episode this part of the series. Why? It's written by Neil Gaiman, writer of some of the most critically acclaimed Science Fiction in the world and of the very successful Doctor Who episode The Doctor's Wife. Now, he's back and he's here to make the Cybermen scary again.

Did he succeed in making the Cybermen frightening again? Yes and no, I believe. He did succeed in making the Cybermen more scary than they have been so far, mostly through things other than how they fight. While the prospect of super-speed (which was clearly done to over-come one of the Cybermen's main weaknesses), as shown in the preview clip here, can be scary, I'm not sure it was pulled off too well in the episode, though this could be more down to the production after the writing.

The redesign of the Cybermen worked for and against itself too. While the redesign can be likened to Iron Man, *cough*, a lot more, I find the much smoother and less human-like face to show off their lack of human emotions much better.

However, I don't think Gaiman managed to give them the bone-chilling effect that Moffat gave the Daleks in Asylum of the Daleks. But the episode is enjoyable enough to not let this get to you.

Classic fans will be pleased to hear that this episode is centred mostly around the Mondasian Cybermen, however the appearance of the Cybus Cybermen in the next time trailer can be a little confusing. As this episode is set in the future, we can possibly assume that these 2 Cyberman were 2 of the few Cybermen converted using metal from our world during the Battle of Canary Warf.

The pacing of the episode was adequate, however I am a little disappointed that it started upon arrival, without giving us a chance to get the kids reactions at all. We've got a bit more new music in this episode, which is always enjoyable, but we also get the chance to hear March of the Cybermen again! It also sounds a lot less "lets just randomly place epic music somewhere!" than the previous episode, which my ears much appreciate.

The acting of this episode was superb, with special mentions to Matt Smith, where I would have loved to have been in the room with him during this episode, and Warwick Davis.

It's a pretty good episode, but not as good as The Doctor's Wife, though that was at perfect level and it's hard to beat perfect. I would rate it 9/10.

Please note that this is a non-spoiler review. Details have been left out so as not to spoiler you. A full review will be posted the day after the episode has aired.

Doctor Who: The Crimson Horror Spoiler Review

So far, Doctor Who Series 7 Part 2 has been going really well, although with a few bumps and scrapes here and there. The 6th episode this "segment" entitled The Crimson Horror is written by regular writer Mark Gattis, who was most recently responsible for the popular Cold War episode.

This episode to me, was a bit of a let-down. When I saw the trailer and the synopsis, I knew it wasn't going to be top-notch, but I quite liked the overall premise behind it. I liked the idea of the Paternoster gang turning up again, as I thoroughly enjoyed them in The Snowmen, and I liked the idea of them meeting Clara #3. I also kept an open mind due to the writer. Mark Gattis is far from the most consistent writer when it comes to quality, but he has done some good episodes so I felt rather hopeful about this one.

Strax has a more vital role

Even before getting close to the end of the episode, the balance between funny and serious was quite poorly done with the two alternating and thereby knocking each other out of the water. The out of character "shrug off" of The Doctor when Ada kills Mr Sweet was obviously intended for humour too. Though with lines like "Do you know what these are? The wrong hands." the combination of humour and being really scary work well. Having said that, focusing on Strax alone, I felt he was far better used in this episode as he went from just being the group clown to actually saving the day. Twice.

Experimented upon

One of the possible causes for the need for Gatiss to include funny content in this episode would be that this episode is actually quite dark as opposed to a few others. For example, it had a mother experimenting on her own daughter. It had a woman wanting to kill everyone on the planet for her own Eden. Should we presume that these reasons are for the children of the family, so that they do not cry too much?

The closest way Moffat can cameo

For me, one of the chief issues with this episode is the plot-holes throughout. In the Moffat era, we're used some of the hints and the foreshadowing being more subtle, so we look closer. Why did Miss Gilliflower have to hide her feeding Mr Sweet from Ada when she was blind? How did she build a spruced up metal firework in those times? Why didn't they all burn when it ignited? Why would a parasite want to wipe out all life? How can a single vat of poison kill the entire world when an entire cauldron of what must be extremely an diluted substance can only "wax"? If the poison needs to touch the body, how would that work with just a n explosion over one city? Why not turn it into a gas and pump it into the atmosphere? These are just a few, where individually they all seem pedantic, but if you put them together, you'll find a story that is under-developed.

Aka "The Hammer to the Face"

Another indication that this episode is under-developed is the cringe-worthy reference to TomTom, that seemed completely out of place. Doctor Who has always had a certain level of cheesy-ness to it, but this just felt desperate where a hammer to the face would be more subtle, even to the point that I've thought that the kid might be something more than just an on-looker for part of an episode who managed to scale a chimney and watch a battle, without any of the other characters raising that point. I admit, that it was quite funny the first time, but it got cringe-worthy on even just the 2nd re-watch. Though if I consider it a reference to The Sontaran Stratagem/The Poison Sky, it makes me feel better.

I did, however, like the "Doctor-lite" aspect of the episode. Many people do not like Doctor-lite episodes, but I do enjoy them. Let's face it, Doctor Who has been about for almost 50 years. We've had a lot of The Doctor. We don't need him in every second of every episode, and more than once we have seen the effect of him that left behind on others. This episode was a fantastic mix of this. Not too little, but enough of him to not remove this fact. it worked really well.

Clara first sees the screen

One of the things that I'm not too certain on is the final scene, where the kids blackmail Clara into letting them go with her. To me, this felt as if it would have been just as suited to being a prequel for the following episode, allowing the mystery of Clara to be expanded upon within the actual plot of the episode as opposed what feels like an after-thought as part of a fairly half-arsed way to set up the following episode. Not too sure on the pictures either. Why would there be a picture of Clara from a top-secret soviet sub?

The "boyfriend"

The actual method of introducing the kids was a little poor too. Unless the threat was just a bluff, the dad would just react wondering if the kids are either have learnt to use Photoshop, drunk or high. Far from being thought out too well.

The actual revelation itself that Clara was in Victorian London could go one of two ways. Clara could either realise now this is not her and ask The Doctor, or she could believe this is where she will go on a future adventure and then, when her life is severely threatened or she is dying, she will recall this picture. Either way, it makes the mind wonder what it could be, even if the fact that she found out at all was a fairly predicable thing.

The pace, however, was brilliant. I can say, without a doubt, that I found the pacing of this story one of the best among all of series 7. The climax of the story was not rushed to the point of "a few button presses and done" and had some good old action scenes and that didn't come at the cost of the rest of the story being too fast or too slow.

"You're Nuts"

The acting of the legendary Diana Rigg was one of the enlightening factors about this episode, with her pure insanity. This combined with her real-life daughter, Rachael Stirling, acting as her on-screen daughter for the first time did make the episode feel and work special, at least in this regard.

Murray Gold and the sound editing team have redeemed themselves in this episode from the previous episodes this series, with new musical pieces, such as the action piece. The flashback, with constant flashes annoyed me on the first watch, however I grew to like it on later re-watches.

Overall, I would rate this episode 4/10. It had promise and I did like some elements to it, but the balance between funny and serious, it not always keeping my attention and a couple other things let it down.